Cadavres Erik Cañuelo , Montreal (CA) 2009 (director Charlie Jade one of my favorite TV series Sci.fi) based on a book by François Barcelo of 1998.
Montreal is a vibrant city, full of creative people, artists, painters, dancers, musicians, filmmakers certainly due also to the government policy that helps artists in general and finance any project worthy of being considered as such (x Council of the Canadian arts for French and Quebec) that the situation in Italy is science fiction. The Canadian cinema as its territory wild and free ... On the Road in that country has a meaning: the boundless land, wilderness, isolated places, few people of any nationality and nature lover and used to a rigorous climate that affects the behavior, I think of movies like Yellow Knife of Rodrigue Jean. This film is part of this kind.
Ray and his mother are in the car, it rains heavily, she visibly altered playing with a gun and tries to shoot himself in the mouth without success, then begs his son to help her. The latter takes the gun and shoots him in the head, pull over and throws in a ditch. But it soon becomes clear that pulls air because the guy sticks a finger in the hole left by a bullet in the roof of the car and no longer able to remove it. Help with this finger coming out of the car to a dealer with a brush after hitting him repeatedly, under the amused eyes of the operator, unable to escape. Call the sister Angie has not seen for 10 years and tells him what happened. This decides it must return to take the corpse to give it a proper burial. Arriving on site, fished out the body and load it into the car to see that she is not but a motorcyclist. While they are burying him in the basement of his mother's house come two punks with a body wrapped in a carpet and propose an exchange. Since then things fall. Start a parade of surreal characters: the two gangsters in Tarantino's trigger-happy with a lot of sideburns, tattoos, rings and limousines in search of punks, a police officer a bit 'screwed on the trail of a herd of pigs escaped from nowhere, a dishonest producer in the 50's white suit who tries to convince Angie to sign a contract for the second season of a popular TV series where she played the part of Wonder Woman (very busty) ... The deaths follow each other like a logical consequence of what is happening because the film is told in a Light and bubbly ...
Cadavres should be seen in the original language (with subtitles, because it is not easy to follow all the dialogues very fast), otherwise the characters would not be credible. Most appear normal even if the two protagonists have an incestuous relationship and killed her father (she?) And mother him. Spectacular open sewer where sewage runs out of the house where the punks and dive to retrieve the bags of drugs hidden in the body of the motorcyclist and the scrapyard where the protagonist burning cars and shooting without anyone to stick their nose. The campaign is so vast and so remote that no homes feels he sees nothing: a breath of fresh air in a cinema without big surprises!
Montreal is a vibrant city, full of creative people, artists, painters, dancers, musicians, filmmakers certainly due also to the government policy that helps artists in general and finance any project worthy of being considered as such (x Council of the Canadian arts for French and Quebec) that the situation in Italy is science fiction. The Canadian cinema as its territory wild and free ... On the Road in that country has a meaning: the boundless land, wilderness, isolated places, few people of any nationality and nature lover and used to a rigorous climate that affects the behavior, I think of movies like Yellow Knife of Rodrigue Jean. This film is part of this kind.
Ray and his mother are in the car, it rains heavily, she visibly altered playing with a gun and tries to shoot himself in the mouth without success, then begs his son to help her. The latter takes the gun and shoots him in the head, pull over and throws in a ditch. But it soon becomes clear that pulls air because the guy sticks a finger in the hole left by a bullet in the roof of the car and no longer able to remove it. Help with this finger coming out of the car to a dealer with a brush after hitting him repeatedly, under the amused eyes of the operator, unable to escape. Call the sister Angie has not seen for 10 years and tells him what happened. This decides it must return to take the corpse to give it a proper burial. Arriving on site, fished out the body and load it into the car to see that she is not but a motorcyclist. While they are burying him in the basement of his mother's house come two punks with a body wrapped in a carpet and propose an exchange. Since then things fall. Start a parade of surreal characters: the two gangsters in Tarantino's trigger-happy with a lot of sideburns, tattoos, rings and limousines in search of punks, a police officer a bit 'screwed on the trail of a herd of pigs escaped from nowhere, a dishonest producer in the 50's white suit who tries to convince Angie to sign a contract for the second season of a popular TV series where she played the part of Wonder Woman (very busty) ... The deaths follow each other like a logical consequence of what is happening because the film is told in a Light and bubbly ...
Cadavres should be seen in the original language (with subtitles, because it is not easy to follow all the dialogues very fast), otherwise the characters would not be credible. Most appear normal even if the two protagonists have an incestuous relationship and killed her father (she?) And mother him. Spectacular open sewer where sewage runs out of the house where the punks and dive to retrieve the bags of drugs hidden in the body of the motorcyclist and the scrapyard where the protagonist burning cars and shooting without anyone to stick their nose. The campaign is so vast and so remote that no homes feels he sees nothing: a breath of fresh air in a cinema without big surprises!
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